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Euripides Vol. I-V by Euripides (Author), Mark Griffith (Editor, Translator), Glenn W. Most (Editor, Translator), David Grene (Editor, Translator), Richmond Lattimore (Editor, Translator)

Euripides Vol. I-V by Euripides  (Author), Mark Griffith (Editor, Translator), Glenn W. Most (Editor, Translator), David Grene (Editor, Translator), Richmond Lattimore (Editor, Translator)
   
  
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'Euripides I: Alcestis, Medea, The Children of Heracles, Hippolytus'
By Euripides  (Author), Mark Griffith (Editor, Translator), Glenn W. Most (Editor, Translator), David Grene (Editor, Translator), Richmond Lattimore (Editor, Translator)
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'Euripides II: Andromache, Hecuba, The Suppliant Women, Electra'
By Euripides  (Author), Mark Griffith (Editor, Translator), Glenn W. Most (Editor, Translator), David Grene (Editor, Translator), Richmond Lattimore (Editor, Translator)
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'Euripides III: Heracles, The Trojan Women, Iphigenia among the Taurians, Ion'
By Euripides  (Author), Mark Griffith (Editor, Translator), Glenn W. Most (Editor, Translator), David Grene (Editor, Translator), Richmond Lattimore (Editor, Translator)

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'Euripides IV: Helen, The Phoenician Women, Orestes'
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Euripides (Author), Mark Griffith (Editor, Translator), Glenn W. Most (Editor, Translator), David Grene (Editor, Translator), Richmond Lattimore (Editor, Translator)

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'Euripides V: Bacchae, Iphigenia in Aulis, The Cyclops, Rhesus'
By Euripides (Author), Mark Griffith (Editor, Translator), Glenn W. Most (Editor, Translator), David Grene (Editor, Translator), Richmond Lattimore (Editor, Translator)
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Description:
 
Sixty years ago, the University of Chicago Press undertook a momentous project: a new translation of the Greek tragedies that would be the ultimate resource for teachers, students, and readers. They succeeded. Under the expert management of eminent classicists David Grene and Richmond Lattimore, those translations combined accuracy, poetic immediacy, and clarity of presentation to render the surviving masterpieces of Aeschylus, Sophocles, and Euripides in an English so lively and compelling that they remain the standard translations. Today, Chicago is taking pains to ensure that our Greek tragedies remain the leading English-language versions throughout the twenty-first century.
 
In this highly anticipated third edition, Mark Griffith and Glenn W. Most have carefully updated the translations to bring them even closer to the ancient Greek while retaining the vibrancy for which our English versions are famous. This edition also includes brand-new translations of Euripides’ MedeaThe Children of HeraclesAndromache, andIphigenia among the Taurians, fragments of lost plays by Aeschylus, and the surviving portion of Sophocles’s satyr-drama The Trackers. New introductions for each play offer essential information about its first production, plot, and reception in antiquity and beyond. In addition, each volume includes an introduction to the life and work of its tragedian, as well as notes addressing textual uncertainties and a glossary of names and places mentioned in the plays.
 
In addition to the new content, the volumes have been reorganized both within and between volumes to reflect the most up-to-date scholarship on the order in which the plays were originally written. The result is a set of handsome paperbacks destined to introduce new generations
of readers to these foundational works of Western drama, art, and life.

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Euripides (Ancient Greek: Εὐριπίδης) (ca. 480 BC–406 BC) was the last of the three great tragedians of classical Athens (the other two being Aeschylus and Sophocles). Ancient scholars thought that Euripides had written ninety-five plays, although four of those were probably written by Critias. Eighteen of Euripides' plays have survived complete. It is now widely believed that what was thought to be a nineteenth, Rhesus, was probably not by Euripides. Fragments, some substantial, of most of the other plays also survive. More of his plays have survived than those of Aeschylus and Sophocles together, partly because of the chance preservation of a manuscript that was probably part of a complete collection of his works in alphabetical order.
  
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