Photo: Sharpening tools during Ottoman Empire by Pascal Sebah.
Loghman of Sarrakhs cried: "Dear God, behold
Your faithful servant, poor, bewildered, old--
An old slave is permitted to go free;
I've spent my life in patient loyalty,
I'm bent with grief, my black hair's turned to snow;
Grant manumission, Lord, and let me go."
A voice replied: "When you have gained release
from mind and thought, your slavery will cease;
You will be free when these two disappear."
He said: "Lord, it is You whom I revere;
What are the mind and all its ways to me?"
And left them there and then -- in ecstasy
He danced and clapped his hands and boldly cried:
"Who am I now? The slave I was has died;
What's freedom, servitude, and where are they?
Both happiness and grief have fled away;
I neither own nor lack all qualities;
My blindness looks on secret mysteries --
I know not whether You are I, I You;
I lose myself in You, there is no two."
(Farid ud-Din Attar)
Source and Recommended Reading:
'The Conference of the Birds'
By Farid ud-Din Attar (Author), Afkham Darbandi (Translator), Dick Davis (Translator, Introduction)
Composed in the twelfth century in north-eastern Iran, Attar's great mystical poem is among the most significant of all works of Persian literature. A marvellous, allegorical rendering of the Islamic doctrine of Sufism - an esoteric system concerned with the search for truth through God - it describes the consequences of the conference of the birds of the world when they meet to begin the search for their ideal king, the Simorgh bird. On hearing that to find him they must undertake an arduous journey, the birds soon express their reservations to their leader, the hoopoe. With eloquence and insight, however, the hoopoe calms their fears, using a series of riddling parables to provide guidance in the search for spiritual truth. By turns witty and profound, The Conference of the Birds transforms deep belief into magnificent poetry.