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Prophet Muhammad (Recorded in Ibn Arabi's Mishkat al-Anwar): I have already forgiven you

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Prophet Muhammad (Recorded in Ibn Arabi's Mishkat al-Anwar): I have already forgiven you
 
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Photo: Ottoman Jerusalem, 1900.
  

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A servant commits a transgression and prays: "O my Lord, forgive this transgression."

The Most High responds:

My servant has committed a transgression yet knows that I am the Lord who forgives and erased transgressions.

This servant again falls into error and prays: "O my Lord, forgive this error."

Allah, may He be glorified, proclaims:

My servant has fallen into error but knows that I am the Lord who forgives and erases error.

This servant again transgresses and prays: "O my Lord, forgive me."

Allah the Compassionate and Merciful responds:


My servant has transgressed yet knows that I am the Lord who forgives and erases transgression. Do whatever you wish, My truly faithful servant, for I have already forgiven you.

(Hadith 90 was collected by the sage Muslim and comes from the transmission of the intimate companion Abu Hurayra, may Allah be pleased with him. It is also recorded in Ibn Arabi's 'Mishkat al-Anwar'.)

 

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Recommended Reading:

'Alone with the Alone: Creative Imagination in the Sūfism of Ibn 'Arabī: Creative Imagination in the Sufism of Ibn 'Arabi'
By Henry Corbin (Author), Ralph Manheim (Translator)

Purchase Book:

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Description:


"Henry Corbin's works are the best guide to the visionary tradition...Corbin, like Scholem and Jonas, is remembered as a scholar of genius. He was uniquely equipped not only to recover Iranian Sufism for the West, but also to defend the principal Western traditions of esoteric spirituality."--From the introduction by Harold Bloom Ibn 'Arabi (1165-1240) was one of the great mystics of all time. Through the richness of his personal experience and the constructive power of his intellect, he made a unique contribution to Shi'ite Sufism. In this book, which features a powerful new preface by Harold Bloom, Henry Corbin brings us to the very core of this movement with a penetrating analysis of Ibn 'Arabi's life and doctrines. Corbin begins with a kind of spiritual topography of the twelfth century, emphasizing the differences between exoteric and esoteric forms of Islam. He also relates Islamic mysticism to mystical thought in the West. The remainder of the book is devoted to two complementary essays: on "Sympathy and Theosophy" and "Creative Imagination and Creative Prayer." A section of notes and appendices includes original translations of numerous Su fi treatises. Harold Bloom's preface links Sufi mysticism with Shakespeare's visionary dramas and high tragedies, such as The Tempest and Hamlet. These works, he writes, intermix the empirical world with a transcendent element. Bloom shows us that this Shakespearean cosmos is analogous to Corbin's "Imaginal Realm" of the Sufis, the place of soul or souls.
 
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