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Lights by Makhdoom Sharfuddin by Ahmed Yahya Maneri

Lights by Makhdoom Sharfuddin by Ahmed Yahya Maneri
When the mirror of the Heart is cleansed of impurities, it becomes capable of reflecting the super-sensuous lights. They appear in the beginning as flashes, but gain in power and volume as the heart becomes purer — manifesting [gradually] as the lamp, the flame, the stars, the moon, and the sun. The forms of flashes arise from ablutions and prayers;....... those of the lamp, the flame and the stars, from the partial purity of the heart; that of the full moon, from its perfect purity; that of the sun, from the Soul reflecting its glory in the perfectly purified heart. A time comes when (the inner light] is a thousand times more luminous than the [external] sun; If [the visions of] the sun and moon are simultaneous, the latter signifies the heart reflecting the light of the Soul, the former the Soul itself. The light of the Soul is formless, but is seen behind a veil distorting the idea into the form of the sun. Sometimes the Light of the Divine Attributes may cast its reflection in the mirror of the heart according to the purity of the latter ....... This Light distinguishes itself by a feeling of bliss in the heart, which shows that it comes from God and not from others, It is hard to describe this bliss. It is said that the Light of the Constructive Attributes is illuminative, but not scorching; that of the Disintegrating Attributes scorching, but not illuminative. This is beyond the comprehension of intellect. Sometimes, when the purity of the heart is complete, the Seer sees the True One within him, if he looks within, the True One without him, if he looks to the universe. When the Divine Light is reflected in the light of the soul, the vision gives bliss. When the Divine Light shines without the media of the soul and the heart, the vision manifests formlessness and infinity, uniqueness and harmony; the basis and support of all existence. Here there is neither rising nor setting, neither right nor left, neither up nor down, neither space nor time, neither far nor near, neither night nor day, neither heaven nor earth. Here, the pen breaks, the tongue falters, intellect sinks into nothingness, intelligence and knowledge miss the way in the wilderness of amazement.
Photo: Portrait of a Dervish; 16th century, Bukhara, Uzbekistan
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