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Omar Khayyam, Srimad Bhagavatam, XI. xix & Meister Eckhart: The World Begins in Perfection

Omar Khayyam, Srimad Bhagavatam, XI. xix & Meister Eckhart: The World Begins in Perfection
Photo: Dervish Washing His Hands Persian Safavid Period first half of 17th century.
Man, is not he Creation’s last appeal,
The light of Wisdom’s eye? Behold the wheel
Of universal life as ’twere a ring,
But Man the superscription and the seal.
(Omar Khayyâm)
Human birth...reflects my image.
(Srimad Bhagavatam, XI. xix)
When God created the soul he fell back upon himself and made her after his own likeness.
(Meister Eckhart)
Recommended Reading:
'Rubaiyat of Omar Khayyam: A Critical Edition'
by Edward FitzGerald (Author), Christopher Decker (Editor)
Purchase Book:
Edward FitzGerald's translation of the ""Rubaiyat"" of Omar Khayyam, perhaps the most frequently read Victorian poem and certainly one of the most popular poems in the English language, poses formidable challenges to an editor. FitzGerald compulsively revised his work, alternately swayed by friends' advice, importuned by his publisher's commercial interests, and encouraged by public acclaim. In consequence, the editor is faced with four published editions as well as manuscript and proof versions of the poem. Christopher Decker's critical edition of the ""Rubaiyat"" is the first to publish all extant states of the poem and to unearth a full record of its complicated textual evolution.Decker supplies a rich interpretive context for the ""Rubaiyat"" that reveals how its composition was so often a collaborative enterprise. His view of poetic creativity comprehends recent theories of the sociology of texts and challenges the common assumption that the desired product of a critical edition is a single unified text of a literary work. He illuminates the complex process of revision by providing a textual appendix in which a comparative printing lays down each stratum of FitzGerald's composition. Biographical and textual introductions, making imaginative use of FitzGerald's correspondence, trace the history of the poem and pay special attention to FitzGerald's motives for revising, for creating a variously beautiful work in verse.This definitive edition of the ""Rubaiyat"" will be of special interest to scholars and students of Victorian poetry, publishing history, verse translation, literary imitation, and revision. And readers for whom the poem is an old acquaintance will here find fresh ways to appreciate its strengths and finesse.
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