Photo: Double-reeds were performed at religious shrines and royal households during the Ottoman empire.
He is the source of evil, as thou sayest,
Yet evil hurts Him not. To make that evil
Denotes in Him perfection. Hear from me
A parable. The heavenly Artist paints
Beautiful shapes and ugly: in one picture
The loveliest women in the land of Egypt
Gazing on youthful Joseph amorously;
And lo, another scene by the same hand,
Hell-fire and Iblis with his hideous crew:
Both master-works, created for good ends,
To show His perfect wisdom and confound
The sceptics who deny His mastery.
Could He not evil make, He would lack skill;
Therefore He fashions infidel alike
And Moslem true, that both may witness bear
To Him, and worship One Almighty Lord.
'The Triumphal Sun (Persian Studies Series): A Study of the Works of Jalaloddin Rumi'
By Annemarie Schimmel (Author)
This is a book on Rumi's life, his poetry, his thought, and his influence. Rumi's work forms one of the pillars of the Sufi orders, particularly the Mevlevi order, better known in the West as the Whirling Dervishes. In this book Rumi emerges not only as a spiritual master, but also as a fully human being grounded firmly in the Koran and in classical Islamic mysticism.
The light of the Divine Sun, in its Beauty and Majesty, manifested itself for Rumi through the person of Shams of Tabriz. Transformed by this light, consumed by this fire, Mowlana Rumi saw the world in a new light. Everywhere he perceived God's Grandeur and his Grace.
The book also discusses the theological premises upon which Rumi's work rests, his attitude to the problems of free will and predestination, and his analysis of the mystical stages and stations. The book not only gives a very rich analysis of Rumi's language and poetical art, but also a picture of medieval Konya, whose features the mystical poet transforms and transfigures.